Sponsored by the Ministry of Economy, Trade and Industry
・2023
Title | Applicant organization | Country of production | Category | Scheduled release year |
---|---|---|---|---|
Ek Din | MAM FILM Co., Ltd. | India | Theatrical release |
2025 |
・2024
Title | Applicant organization | Country of production | Category | Scheduled release year |
---|---|---|---|---|
Rental Family | KNOCKONWOOD Inc. | US | Theatrical release |
After 2025 |
What Comes After Love | KNOCKONWOOD Inc. | South Korea | Streaming drama | Fall 2024 and after |
YOROI | TOHO Tombo Pictures, Inc. | France | Theatrical release |
2025 (tentative) |
(Streaming drama) | MAM FILM Co., Ltd. | France | Streaming drama | 2025 |
THE SMASHING MACHINE | TOHO Tombo Pictures, Inc. | US | Theatrical release |
2025 (tentative) |
(Untitled Documentary Project) | GENERATION11 Inc. | US | Streaming documentary | To be decided |
Monarch: Legacy of Monsters Season 2 | TOHO Tombo Pictures, Inc. | US | Streaming drama | To be decided |
Ha-chan Shake Your Booty | THEFOOL INC. | US | Theatrical release |
To be decided |
Supporting a portion of the cost of production for international films, TV dramas, and streaming, shot and produced in Japan.
+Large-scale overseas TV and film projects shot on location in Japan (feature films, streaming dramas, etc.) with staff from overseas.
+Refer to 5. “Criteria for Eligibility”
Third Round: August 26 – September 13, 2024
NB: The program will end when the grant budget is expended, which may occur before all three rounds have been completed.
Applications should be submitted by a Japanese production group and a production company founded under the Japanese law.
Applicants should have produced a TV show or film in cooperation with an overseas production company or through an entrustment contract.
Applications from overseas will not be accepted. In the case of consortiums, etc., consisting of multiple companies, please designate a representative company in Japan which will apply on behalf of the group.
Applicants can apply for multiple projects.
Eligible large-scale international film and television projects must fall under (1) below. In addition, the project must also meet conditions (2) to (5).
(1) Projects which fall under (a) or (b) or (c).
(a) Direct production costs in Japan exceed 500 million yen (approx. 3.3M USD).
(b) Total production costs exceed one billion yen (approx. 6.6M USD) and direct production costs in Japan exceed 200 million yen (approx. 1.3M USD).
(c) Projects that are scheduled to be released, screened, broadcast, or distributed in more than ten countries or territories, and their direct production costs in Japan exceed 200 million yen (approx. 1.3M USD).
(2) Projects that will benefit the Japan domestic content industry (human resources development through local employment, utilization of Japan domestic studios, etc.)
(3) Projects for which the scenes shot in Japan are absolutely guaranteed.
(4) Projects that will cooperate to promote the location where the filming took place.
(5) Projects that promote skills for global expansion of the appeal of Japan.
However, even if the requirements of (1) are not met, projects* that greatly benefit the Japanese economy and the domestic film industry in (2) to (5) may be subject to consideration.
*Entrusted to the judgment of an outside examination committee.
The total production cost and direct production cost in Japan as stated in (1) will be used to determine whether each standard amount has been met for the entire project, including costs outside the project period.
The project completion date must be set within 90 days of the completion of the work or January 31, 2025, whichever comes first. Please note that the grant will be canceled if the report of results is not submitted by the project completion date.
Direct expenses related to film production in Japan such as payments to Japanese corporations, individuals, local governments, public organizations, etc., are eligible for funding. However, only expenses incurred after the eligibility date will be supported.
Covers 1/2 of qualifying spend in Japan from the date when the project has been officially selected.
The upper limit of the subsidy is one billion yen.
However, the subsidy amount will be determined by the secretariat after consideration of the application content and number of applicants by an expert committee.
Program Owner: Ministry of Economy, Trade and Industry
Program Operator: Visual Industry Promotion Organization (VIPO)
Program Coordinator: Japan Film Commission (JFC)
Visual Industry Promotion Organization (VIPO)
E-mail: question@jloxplus.jp
For general information on shooting in Japan (locations, permits, and local incentives)
Japan Film Commission (JFC)
Phone: +81-3-6264-2042
E-mail: jfc@japanfc.org
https://www.japanfc.org/en/